The
Lyngngams and their Folk Dances
K.Langrin
1. Introduction:
The Lyngngams are the sub-tribe of the Khasi people. Our ancestors told that the Lyngngams came from Burma before 1200 A.D. The original name of the lyngngams was 'Ingam' which the Garos call 'Megarm'. But later on it changed to 'Langam' and 'Lyngngam'. The first village of the Lyngngam is Nongkulang which is still existing now in the South-West of the Khasi Hills near the border of Bangladesh. After some hundred years of the migration from Burma, the Lngams/Langams/Lyngngams spread from Nongkulang village to three different parts. Some of them moved to the north-east of Nongkulang, some of them moved to the South-West of Nongkulang and some of them remained in Nongkulang area. Those who moved to the North-East are called 'Lyngngam Hynneng brei', those who moved to the south-west are called 'Lyngngam Hyrrum-brei' and those who remained in Nongkulang area are called "Lyngngam Langkymma". Today, there are about fifteen Lyngngam villages in Bangladesh and eighty-five villages in India, in the West Khasi Hills of Meghalaya spreading around the border of Bangladesh, Garo Hills and Assam.
2. Folk Dances of the Lyngngams:
There are six popular folk dances of the Lyngngams i.e. (a) Chad aideit (b) Chad reinmaw (c) Chad kutsnim (d) Chad Seinkhynrum (e) Chad Lynniang and (f) Chad Ku iing.
Chad aideit: It is one of the most popular dances of the Lyngngams. Chad aideit is a dance of offering a drink by the females to the males especially when they returned from war. It is also meant an offering of drink to any honourable man. The participants/dancers of Chad aideit are no limited in number. The materials used in this dance are swords, shields and baskets; and in the baskets of the females there are bamboos.
Chad rein maw: It is a dance of pulling the stone pillar (monument) to be erected in remembrance of any honourable man. In this dance the dancers use the cock feathers or pea-cock feathers in their heads. Females should not use to carry baskets while dancing the Chad reinmaw.
Chad kut snim: It is a dance of Thanks giving to God Almighty at the end of the year for good harvest. It is also a dance to drive away the Evil Spirit from the village. The dancers (males and females) should walk around the village with shouting and singing. Male dancers should hold swords and shields in their hands. One captain (Head of dancers) should be there. The end of this dance is in the middle of the village.
Chad Seinkhynrum: It is performed in connection with the ceremony of the dead persons. In Chad Seinkhynrum there should be two or four dancers and one or two persons should play the seinkyndoh or round-shaped drum(s) beating on the ground. Besides, one person should play the flute (Tangsohma). In this dance there should be only male dancers.
Chad Lynniang: It is a dance of remembrance for the ancestors who had passed away from us. It is a prayer that our ancestors may bless us that we may live in peace and harmony. In chad Lynniang there should be only sixteen dancers; six females and ten males. Besides the drums and Tanglihir (blowing bamboo/horn), wiangs which look like black plates are needed.
Chad ku iing: It is a dance before entering the new house. In this dance, one man who is called 'Nongknia' or a man of prayer should sit in the middle while the male and female dancers are dancing around. The Nongknia should pray that God may bless and protect the house from the danger. The end of this dance is by eating the dry fish.
3. Dress materials and musical instruments:
In all types of Folk Dances of the Lyngngams, all the male dancers should use white dresses especially 'Jainboh' and 'Jainspong' as called by pure Khasi which the Lyngngams called 'Bongaila' and 'Khamlong' (Turban). The female dancers should use red and yellow dresses with red ornaments or sometimes mixed of colours. Besides that, the materials used by female dancers are baskets/corns, feathers of cock or pea-cock,bamboos and Khasi umbrellas called ' Knup'. The musical instruments mostly used by men (male dancers) are the long drums called 'Dama', black plates called 'Wiang' and 'Mungor' (Mungor is bigger than the wiang or mrang), Tangsohma (Flute), Tanglihir (Blowing bamboo/horn), seinkyndoh (round in shape) and Sein-chynnad which aresmaller than 'Darna'. Swords and shields are used only by men or male dancers.
Traditional Institutions of the People of Meghalaya
By Julius L.R.Marak
The State of Meghalaya was carved out of the Assam's Hill areas
that sprawl along her southern frontiers with Bangladesh and act as her natural
barriers. The Autonomous State of Meghalaya came into being on April 2, 1970
attaining its statehood on the January 21, 1972. State of Meghalaya comprises
of three major tribes of Khasi & Jaintia and the Garos with a total population
of 17,74,779 and areas of 22,429 Sq. Km. The Garos, Khasis & Jaintias were
the indigenous tribes of North-East India.
The Garos, Khasis and Jaintias of Meghalaya are purely matrilineal society and
as such the descent of an individual either men or women is always reckoned
and traced from the mother alone and through her genealogical tree traces its
origin back to the common ancestress. The matrilineal system gave the woman,
the wife and the mother, a social rather than a personal standing.
Indigenous Tribal Instiyutions During Pre-British
Periods :
Prior to the advent of the British into the Garo Hills areas, all the civil
and criminal cases were tried and settled by the tribal chiefs known as A. king
Nokmas assisted by the village Nokmas and their councils. The A. king Nokmas
were all in all, in all the civil administration, administration of justice
and the welfare of his subjects within his A. king land. They are all independent
of each other and subjects to none. The proceedings of the cases were not recorded
and every decision and judgments were oral but binding on the offender. The
village elders took part in the melaa (bichal or meeting) argued the cases and
gave decisions according to the customary laws and practices.
The traditional institutions in the form of Syiemships, Wadadarships, Dolloiships,
Lyngdohships and Nokmaships were functioning in the form of Panchayati Raj of
other states. The Khasi hills comprised of 25 native states commonly known as
the 'Khasi States' which signed the Instrument of Accession and authorised the
constituent Assembly of India to make Rules keeping in view the terms and conditions
laid down in the Instrument of Accession. Garo Hills areas was annexed into
the British dominion in the last battle of Chisobibra of Rongrenggre village,
near the present district of East Garo Hills headquarters Williamnagar on the
12th December, 1872. In this last battle with the British army, Pa Togan Sangma,
Garo warrior and the Chief was shot and succumbed to bullet injuries. But, the
Garos managed and retained the A. king Nokmaship till the present generation.
British Periods :
During the British periods, the tribal indigenous institutions of Syiemships,
Dolloiships, Nokmaships, etc, were recognised
and did not disturb the functioning of these democratic institutions. In the
case of A. king Nokmas in Garo Hills, Deputy Commissioner appoints Laskers and
Sardars who were given the third class magisterial powers to try cases of civil
and criminal cases committed under the customary laws and practices. The Laskers
are empowered to try offences on theft (value stolen property upto Rs. 50, injury
to property, injury to persons, house trespass, affronts of any kind, gambling,
drunkenness, etc. and were made to pay 'Dai' or compensation. The payment of
'Dai' (compensation) varies according to the nature of offence. British have
put to an end to capital punishment and had hunting practiced by the Garo community.
Post-Independent Periods :
After the attainment of Independence, the Hill districts of Meghalaya is being
administered according to the provisions under Para-1(1) of the Sixth Schedule
of the constitution of India, the District Council was constituted in 1952 with
a view to preserve, protect and strengthening the existing tribal indigenous
institutions amongst tribal communities. District Council is empowered to make
laws for an autonomous districts which have effect only after assented to by
the Governor.
When the District Councils came into being in the Hill areas of Khasi &
Jaintia and the Garo Hills districts, the traditionally elected chiefs or traditional
heads such as Syiems, Dollois, Wadadars and Lyngdohships were appointed by the
District Councils and the rights of election of Chiefs by the people were taken
away. But, in the case of selection of A. King Nokmaship amongst the Garo community,
the traditional way of selection continued unaffected. The District Council
only recognise formally the A. king Nokma selected by the ma.chong or motherhood.
The President of India may direct that any Act of Parliament shall not apply
to an autonomous districts. These provisions were inserted in the Schedule by
the north-eastern areas (Re-organization) Act, 1971. Further, the Governor of
a State could exclude the operation of any Act of Parliament or of the State
Legislature in these Autonomous District.
Land System in Kashi Hills :
Each village in Khasi & Jaintia Hills has its own lands in which rights
of private ownership are recognised. There are two main classes of land in Khasi
Hills, namely - (1) Ri Raid Lands; and (2) Ri Kynti Lands. And under these there
are sub-classes of land by different names in the various elakas.
Ri-Raid lands are the lands set apart for community over which no
persons have proprietary, heritable or transferable rights except the right
to use and occupy as long as one occupies and use the land. The Ri Raid
lands comprises of Ri shnong, Ri shnat, Ri kuna, Ri Lyngdoh, Ri RamSyiem,
Ri Law Kyntang, Ri Law Lyngdoh, Ri Law Niam, Ri Law adong, Ri Law Sang,
Ri Law Sumar, Ri Bam Lang, Ri Lynter, Ri Leh Mokotduma, Ri Aiti Mon Sngewbha,
Ri Phlang, Ri Bamduh, Ri Diengshai-diengjin, Ri Samla.
Ri Shnong is a land, which is a part of the village, and the villagers can use.
Ri Shnat and Ri Kuna is the part of Ri Raid land within the jurisdiction of the Raid of Ri Mynsain, Lamsain, Somraid or Ri Pud Lands are the piece dividing boundary lands that divides the lands of the other individuals.
Ri Lynter is a land of the Raid that have been acquired through wars and in later days through litigation.
Ri Bam syiem is a land set apart for the clans of the ruling chiefs.
Ri Law Kyntang, Ri Law Niam and the Ri Law Lyngdoh are the forest lands set apart for religious purposes which is controlled and managed by the Lyngdohs.
Ri Law Sumar is a land belongs to the individual, family, clan or village community.
Ri Law Adong, Ri Law Sang and Ri Law Shnong are the forest lands set apart as catchment areas for use by the community for firewoods, housing, personal use etc. that may be decided by the Raid Durbar.
Ri laleh Mukotduma is a land acquired through litigation.
Ri Umsnam is a land acquired through wars.
Ri Bamlang or Ri Umsnam or Ri Mukotduma is the land given by Syiem to the Raid.
Ri Aimon Sngewbha or Ri Nongmei-Nongpa is a land donated for the public purposes.
Ri Raphlang-Ribamduh is a barren land which any citizen has the right to use.
Ri Diengsai-diengjin is a forest areas that are covered by vegetation between the uplands and lower areas of the lands.
Ri Samla is a land acquired by the unmarried person who has the right to dispose off as he likes.
Ri Kynti lands are also known by the different names such as - Ri
Kur, Ri Nongtymmen, Ri Maw, Ri Seng, Ri Khain, Ri Duwat, Ri Khurid, Ri Bitor,
Ri Dakhol, Ri Shyieng, Ri lapduh, Ri Lynter, Ri Span, Ri Longdung, Ri Pud,
Ri Kut and Ri Lyngdoh, Ri Syiem, Ri Khain Raibuh.
Ri Kur is a land that has been divided between the various branches of clan or families.
Ri Nongtymmen is a land that has been inherited from generation to generations.
Ri Maw is a land that has been acquired through purchase or through the right of apportionment.
Ri Seng and Ri Khain is an undivided family owned land.
Ri Duwar is a land that have been acquired through purchase by clan usually for maker place, river ghat, etc. and toll is collected by them.
Ri Khurid is also a land that has been purchased over which the purchaser have the proprietory, heritable and transferable right over the land.
Ri Bitor is a land that have been acquired on receipt of ceremonial bottle of liquor.
Ri Dakhol is a land that has been obtained by the right of occupation.
Ri Shyieng is a portion of land that has been given to the youngest daughter (khadduh) of a clan or family for meeting the expenses on performance of religious rites and ceremonies.
Ri Phniang is a part of land of Ri Kur or Ri Nongtymmen that has been given to female members who acts as custodian and assist in preparation of religious ceremonies or for looking after them in times of troubles.
Ri lapduh is a land of a family or clan that has become extinct which is kept as Ri Raid or Ri Ram Syiem.
Ri Lyngdoh is a land that belongs to the Lyngdoh clan.
Ri Syiem is a land set apart for the maintenance of the Syiem's clan.
Ri Shiak is a land that has been acquired by the husband and the wife which is given to the clan (Kur).
Ri Span and Ri Langdung is a land within Ri Maw or Ri Khian that has been occupied or given on lease.
Ri Kur is a portion of land or Ri Nongtymmen that is held by the clan that cannot be divided.
Land System in Jaintia Hills:
In Jaintia Hills there are two classes of lands exists. They
are (i) Hali or irrigated paddy lands and (ii) High lands. These two main categories
of land are again sub-divided into different classes. Hali lands consists of
(1) Raj lands; (2) Service lands; (3) Village puja lands; and (4) Private lands.
Raj lands were the property of the Syiems of Jaintia Hills. They were unoccupied
lands and vested with the Jaintia Syiems. After the abolition of Syiemship in
Jaintia Hills, these lands were taken over by the British and assessed to land
revenue. This type of land can be settled by any individual on lease basis.
Service lands are the rent free lands given to Dollois, Pators, Basans and other
officials for their service rendered to their administration. They were not
paid but allowed to hold this piece of land in recognition.
The village puja lands are the lands held by the Lyngdohs and the Raid. These
lands were set apart for the purpose of worship. These lands are revenue free
lands and the Lyngdohs can use the revenue from these lands for their own upkeep,
etc.
Private lands are the lands held by the individuals and have the right to transfer,
mortgage sale, etc. at their will.
The Patta or lease lands were the lands allotted and settled by the British
during their regime. These same lands are now being exercised by the District
Council who settles to any individuals in consultation with the Dollois of the
areas.
Land System in Garo Hills:
The lands in Garo Hills consists of Revenue areas and Non-revenue areas. The
Revenue areas are the Plain areas of Garo Hills and the non-Revenue areas are
the A.king lands of Garo Hills.
The Revenue areas of Plain areas under Mouza No. IX and X are directly under
the management and administration of District Council in matters of settlement
of land to any of the individuals for cultivation, etc.
The Hill areas of Garo Hills are the A. king lands which belongs to the A. king
Nokma of particular clan. The entire A. king lands are managed by the A. king
Nokma who is the guardian and custodian of a particular clan or motherhood.
The District Council do not have direct control over the A. king lands. A. king
lands belong to the particular motherhood whose head is a female. The ultimate
ownership lies with the motherhood which exercise its control through her husband.
The A. king Nokma being a mere custodian and guardian of A. king lands cannot
take any arbitrary decisions in matter of sale, mortgage, gift, transfer etc.
There are different kinds of a A. king lands in Garo Hills such as A. milam, A. jikse, A. joma, etc. All these different kinds of lands held by particular ma.chongs, cannot exercise the power over their own acquired lands as the entire property belongs to the wife or female. The Chras or male elder members of the family play an important role in shaping their future and welfare.
District Council Court and Administration of Justice :
The District Council constituted village courts or district council courts for
trial of suits and cases between the parties of all of whom belong to the Scheduled
Tribe within the Autonomous district. Village Courts do not try cases arising
out of the special laws or cases relating to the offences of serious in nature
(punishable with death, life imprisonment, etc.) However, the Governor may extend
the jurisdiction of village court to decide such cases. The Rules requires the
village Court to try all cases and suits in accordance with the customary laws
and practices. These village courts are supposed to be non-professional bodies
and decide cases in an informal atmosphere without any procedural technicalities
and formalities.
Applicability of General Laws ;
Meghalaya is the land where the customary laws and practices prevail. The cases
are usually taken into the village headmen or village courts which disposed
off all the local cases and settles minor disputes within its jurisdiction.
The aggrieved parties are at liberty to appeal to the Deputy Commissioner's
Court against any decisions. Most of the statutory instruments are regulated
by the Rules or Orders issued under Rule 15 of the Assam Autonomous District
(Constitution of District Councils) Rules, 1951.
Subject to the certain exceptions and subject to the provisions of the rules,
the procedure of district council court of all grades -
(a) Shall, in criminal cases, be "in the spirit of the code of criminal
procedure", so far as it is applicable to the circumstances of the district
(Rule-44 (1), and
(b) Shall, in Civil cases, be guided by the spirit but not bound by the letter"
of the Code of Civil Procedure, 1908, in all matters not covered by recognized
customary laws and usage of the District (Rule-48). The Tribal areas of the
Khasi & Jaintia and Garo Hills, etc. were governed separately from the other
areas, during the British Rule. These areas are being administered under the
Scheduled district Act, 1874, making special provisions for their administration
and governance. When the Government of India Act, 1935 came into force, these
tribal areas were continued to govern under the new terminology of "Excluded
and partially excluded areas". In matters of procedure to be followed in
the trial of suits and cases in the district council courts, Para 5 (3) of the
Sixth Schedule provided that "Code of Civil Procedure, 1903, and Code of
Criminal procedure, 1898, shall not apply to trial of any suit, cases or offences
in an Autonomous District".
The traditional institutions of the Khasi & Jaintia and Garo communities
still continues to exist and run their own affairs without any difficulties
in the midst of modern Rules, Regulations and Laws. The Sixth Schedule was incorporated
in the Constitution of India to grant certain autonomy to these traditional
indigenous institutions of the Khasi & Jaintia and the Garo people.
Conclusion :
The indigenous traditional institutions of the Khasi & Jaintia and the Garo
communities in the different forms of Syiemships, Dolloiships, Wadadarships,
Lyngdohships and the A. king Nokmaships existed from the time immemorial and
continued to survive till date due to its democratic in actions and decisions
which is far better than the Panchayati Raj system of other states. The age
old indigenous traditional institutions which were firmly established on a democratic
systems need now be strengthened and revived by returning to them the rights
to decide their own destiny especially in the present day complex situations.
These traditional institutions of Syiems, Dollois, Lyngdohs, Wadadars and A.
king Nokmas should be involved at the grass root level in formulation of schemes,
plans and programmes as well as any developmental schemes, and seek their participation.
The involvement of traditional institutions and their co-operation can be obtained,
if the Government at the State/Central is sincere to bring the village administration
and their involvement to decide their own-welfare and future. The involvement,
strengthening and decentralization of power with the indigenous traditional
institutions may not be at the liking by the present politicians, and administrators
but the only way to save the present situations is involvement of these traditional
institutional heads.
The Panchayati Raj system found in the plain areas of towns and cities as found in other states is not desirable for the people of Meghalaya as there are already existed and deep rooted traditional institutions. The tendency of the administration to do away with the traditional institutions, as they think that these institutions are hindrance to their liking, instead attempts should be made to strengthen, develop and improve upon by making the traditional institutions more workable, coordinating body and responsible within their own respective areas or jurisdiction.
The local cases of civil and criminal can be dealt better,
if the heads of traditional institutions are involved and are taken into confidence
in curtailing them. The selection of traditional heads should be given free
hand without any political interference in the hands of the people. The services
of the heads of the traditional institutions can best be utilised, if the State
Government nominates at least 5 members in the Autonomous District Council as
members. While trying to formulate the policy of decentralization of power as
envisaged by the Government of India through Panchayati Raj system with a view
to involve the people at the grass root level in the developmental process,
the financial powers and planning be entrusted to these traditional institutions.
The traditional institutions of Syiems, Dollois, and the A. king Nokmas be delegated
with economic power to enable them to participate in the planning process and
implementation of developmental programmes through different Government agencies
as per the provisions of the Sixth Schedule to the Constitution of India of
Para 3 & 4, if the Government is to work for the betterment and their economic
and social upliftment, the community leaders, heads of traditional institutions
need to be involved. The traditional institutions and their head still exists
amongst the community who needs revitalizing and necessary Legislation or Amendments
to the existing Rules, Regulations and Provisions of Constitution of India and
get the community participation in saving the country's economy, administration
and future of the people of the State.
The grass root planning development and implementation of various programmes
and projects carried out for the welfare of the people need their co-operation
and help. But, these can be best achieved only if the administration take these
institutions into confidence.
References:
The Assam Re-organization (Meghalaya) Act, 1969 NO. 55 of 1969.
Customary Law and Justice in the Tribal Areas of Meghalaya (9182) - The Indian Law Institute.
Law of Administration of Justice in Meghalaya (1973) First Edition - Jangsan Sangma
Census of India 1991 Series-16 Meghalaya (Part-XII-A&B). District Census Hand Book, East & West Garo Hills village and town directory.
Garo customary laws and practices (1999-2000) 2nd. Edition -Julius L. R. Marak
The Constitution of India (1969) L.D. 144 (1969)
Report of the Land Reforms Commission for Khasi Hills, p-17.
Garo Hills Autonomous District (Administration of Justice) Rules1953 and the Assam High Court (Jurisdiction Order, District Council Court Order, 1954).
Sangma, M.S. "History and Culture of the Garos'"(1981).
Succession to the Syiemships in the Khasi States by Capt. D. Herbert, D.C., Khasi & Jaintia Hills (1903).
. British Administration in Meghalaya, Policy and pattern. - D. R. Syiemlieh (1989).
Evolution of Riangsih Sirdarship
By P.S.Nianglang
The essence and efficacy of myths, folktales, legends, stories
and other oral traditions in the Khasi literature can neither be derecognised
nor set aside. Like a phoenix who rejuvenates from its own ashes every 500 years
they represent the antiquity of the Khasi culture in their quaint and fascinating
forms by withstanding themselves against the test of time. They contain in them
the elements of truth wherein full truth and axioms can be extracted. They throw
a Drummon light and beckon the progeny to carry out further investigations and
research works in all aspects of the society. We can boldly say so, in view
of the absence of chronicles and literary frameworks during the pre-British
era, to show how the Khasis establish their polity. But through them, we comprehend
the basic, socio-economic fabric of our society. They are like conduits through
which water flows uniformly to quench the thirst of the panting deer. They act
as the panacea to heal the wounds of the researcher. Therefore, Mrs. N. Natarajan
(1977)1 strongly advocates their role wherein she says, "Mythology, folklore,
legends, poetry, the court language, political expressions - all form early
oral Khasi literature. The essence is on the divine origin of the Khasi race,
for the Khasis considered themselves the chosen people of God. The oral literature
contains past economic undertakings the evolution of the state, society and
institutions, migration of clans, wars and victories and historical incidents
covering the activities of the ancestors". Another stalwart of Khasi authors
namely Dr. H,B. Ngapkynta (1985)2 fully appreciates their importance and authenticity
in the field of Khasi literature wherein he emphasizes "the absence of
the literary evidence from the early period is a conspicuous problem with which
we are confronted in the task of historical reconstruction and we will have,
therefore, to depend mainly on both the oral traditions and foreign evidence
which is preserved in diplomatic documents maintained between Khasi rulers and
their neighbours. The importance of oral traditions called Ki Parom handed from
generation to generation and the legends throwing light on the history of the
people cannot be neglected." In his latest treatise on the Khasi people
in Khasi vernacular, Dr. Hamlet B. Ngapkynta3 (2000) provides a special attachment
of their role in reinforcing our social fabric wherein he further elucidates
"Kawei pat ka bhah jong ka parom ka long ban pynneh ia ka dak ka shin jong
ka mynnor; ka ialam ia ngi ban sngewthuh ia ka jingkylla badonbor, shaphang
ka jingkhie bad ka jingkyllon jong ki Hima bakhrawbor bad ki new radbah kiba
la pynkylla khongpong ia ka Ri ha ki lyngkha bapher na ka jingringmraw sha ka
jingksan, na ka jinglong lyngki sha ka jingseisoh.......," Finally, the
prominent Khasi poet U Soso Tham4 (1960) nicely puts the lines of his poem:
Mynmiet mynstep M trei minot
Hapoh ka kpoh ki thep ka kot
Nangta ki kha ki puriskam,
Nangta ki mih ki purinam.
During the Anglo Khasi war that took place in between the years 1829-1832 Riangsih
Syiemship appeared as a state and U Dima Syiem was the ruling chief who actively
took part and joined the federation of U Tirot Singh Syiem during their insurrection
against the British people as can be seen from the writings of Dr. H.B. Ngapkynta5
(1984). This, therefore, points out the fact that before the advent of the British
people, Riangsih Sirdarship had already existed as a state. However, the theory
which states that Riangsih is one of the erstwhile composite state of Muliang
as advocated by Mr. L.G. Shuliai6 (1975) is still a debatable subject. The author7
(1994) had a chance to meet Shri Rosclean Nongbri (who is now dead) the youngest
son of (Late) Mrs. Samei Nongbri and (late) Mr. Amur Syiem of Riangsih Sirdarship
and Shri Shondro Diengngan(who is now dead), residents of Mawlein and Nongkyndang
villages respectively and kept in black and white about the story of the evolution
of this so petty princely state. It smoothy goes : In its antiquity once upon
a time there was a rogue elephant lived in the Northern Ri Nongtrai. The said
elephant was very ferocious and cruel in nature. It used to destroy the jhum
lands, crops, cattle and even human beings who lived therein as the subjects
of the Syiem of Hima Nongstoin and the Syiem of Hima Jyrngam, or Hima Muliang
at that time. The inhabitants of Hima Muliang or Hima Jyrngam and Hima Nongstoin
were in great trouble and there was nobody who would kill the rogue elephant
aforesaid. So they appealed to the Syiems of Nongstoin and Jyrngam state to
kill the said ferocious and rogue elephant.
One day the Syiems of both the Him as convened a joint state
council (Durbar Hima) and summoned the warriors and armed men of both the states
to kiil the elephant. Though the Durbar Hima had resolved in that manner, but
there was no one among the armed men who dared to combat and kill the rogue
elephant. So they were at their wits' end. At last they have found one tactic
i.e. to decide that they would part some portion of their state and would allow
to establish a new state to be ruled by that native person who would be able
to kill that el ephant. The resolution was notified and an offer was made to
the subjects of both the states but there was no one who would accomplish this
great and noble mission.
In the midst of such perplexity, there came out one person
who was strong, brave, full of manly stature and whose height was about 10 feet.
It was further narrated that the size of his shirt's sleeve was so big so that
a boy of 18 years can enter and crawl through it from one end to another end.
This man was nobody but Shri Shilibri Sohmad, one of the subjects of Nongstoin
Syiemsnip who lived at Mawlein village. Some said that he lived at Mawnar village.This
is one of the villages that situates in Northern Ri Nongtrai. While abiding
by the promise and covenant that were spoken by the Syiems of the two states,
this brave man, one day, early in the morning before the cock's crow left his
village with the sword and the packed rice (Jasong) in his hands. He travelled
through the bottom of the hillock called Mawirang and he passed through the
village of Mawpamblang and then proceeded further to the areas where the present
Langja village exists and he found the rogue elephant who lived in those thick
jungles. As soon as he saw the elephant, he jumped into it and caught hold the
trunk hose empty handed without using any tying rope. He returned to his village
taking along with him the rogue el ephant by holding its trunk hose and walked
through the village of Nongmawriat and arrived at Nongrynnniaw then he took
rest there. From Nongmawriat to Nongrynniaw, he passed through the source of
Baiu river and he collected two stones fromiyrsung river. The bigger one was
used as a chair and the smaller one as dining table. He carried these two stones
by insertng each to his right and left armpits, and then the packed lunch, the
sword as he was driving the elephant all along by holding from its trunk hose.
At Nongrynniaw, he rested and took his lunch by making the bigger stone as his
chair and the smaller stone as his dining table. Hitherto, this stone at Nongrynniaw
is still known as "Maw Thaw Shilibri*. After taking his lunch, he proceeded
to Nongmawlein with the rogue elephant and the sword in his hands. At Mawlein
village he tied the elephant and he informed the Chiefs of Nongstoin and Jyrngam
states to present there at the time when he would kill the atrocious elephant.
The subjects of both the states were gathered wherein the Syiems, the councillors,
the priests and the nobles were also present on that day. He held the sword
in his right hand and firmly held the trunk hose with his left hand. He then
chopped the elephant's neck off and the elephant died there instantaneously.Thus
peace and tranquility were restored in that area.
It was on that very day itself, while fulfilling the covenant,
the Syiem of Nongstoin State, had handed over in perpetuity the villages of
Mawlein, Nongrynnniaw, Nongum-sohpieng, Nongkyndang and other adjoining areas
to Shri Shilibri Sohmad. Similarly, the Syiem of Jyrngam state handed over in
perpetuity the areas of Rongjiangdap, Hahim and other low lying areas to Shri
Shilibri Sohmad. So, the villages and areas which were handed over by the Syiem
of Nongstoin and Jyrngam states formed a new state with its own defined boundaries
under the rule of Shri Shilibri Syiem Sohmad. It was further narrated that at
the time of handing over of the aforementioned areas, by the Syiems, all ritual
performances were carried out and a vow was made before the fowl's blood the
fire and sword that the succeessors should not interfere at all costs and cannot
take back the areas and villages already handed over and they would be fully
under the administrative control of Shilibri Syiem Sohmad within his newly created
state (Hima). This was the good luck of the Sohmad clan. Till date the sword
still exists in the house of Mrs. Philin Sohmad of Myndo village though its
size is reduced due to rust, etc.
On that very day itself they made a great feast at Mawlein village because a new state was formed. They killed cocks, pigs, cows and goats and they drank undistilled liquor from the jars and resorted to merrymaking and other forms of amusements. It happened that one woman of that village delivered a child in her house. This was one of the feast houses. As soon as a child was born, the relatives of that woman was still keeping the placenta (sih) in one of the corners of the house thinking that they would hang the placenta on the bamboo trunks in the morning of the following day. One of the elderly men who was present in that house, was inebriated he thought and mistaken that placenta (sih) to be the beef. He then took it and dried (Riang) on the raised platform (tyngir) over the hearth, so that he could cook and eat it. At that very moment when his friend and relatives found that he did the jestful job, they laughed at him because he had instead dried (Riang) the placenta (Sih). Since that time they declared that the name of the newly formed state would be called Riangsih and the first Syiem who ruled the state was Shri Shilibri Syiem Sohmad. This is the evolution of formation of Riangsih state or presently known as Riangsih Sirdarship.
References:
Natarajan N. (1977) The Missionary Among the Khasis, Sterling Publishers PuL Ltd. New Delhi, P.24.
Bareh H. Dr. (1985). The History and Culture of the Khasi People. Spectrum Publication, Quwahati P.2.
Ngapkynta B.H. Dr. (2000). Ka Spah Bad Ka Jingshai Thaba Jong Ka Ri, Self Publication P. 75.
Thorn Sosofl 960) :KiSngiBarim U Hynniew TVep P. 1.
Celebration of 150th Death Anniversary of U Tirot Singh Syiem ofNongkhlatu (1984) published by K.C.S. p. 32.
Shullai L.G. (1975) Ki Hima Khasi, p. 3.
The Author has conducted a fact-finding trip and personally met ShrL A. Rosclean Nongbn at his residence at Mawlein Village Riangsih Sirdarship on 14.5.94 and ShrL Shondro Diengngan at his residence at Nongkyndangf Jyrngam Sirdarship on 14.8.1994.
The Borghat Historical and Archaeological Remains
By G. Sumer
Borghat is a beautiful little vil lage situated on the East
bank of the blue Myntdu river in the south of the Jaintia Hills District at
about 80 Km. or so from Jowai. The navigability of the Myntdu River with other
parts of the Surma Valley up to this point (Ghat) had created the place into
a prospective commercial depot where traders from the hills and the plains
of the vast Jaintia Kingdom could meet for commercial transaction, etc. Further,
the place also situated midway between Jaintiapur, the plain capital and Sutnga,
the Hill capital of the kingdom.
The commercial and the strategical importance of the place
had prompted the then mighty Jaintia Raja Borkuhain or U Bor Singh from whom
the name of the place is said to have derived to convert it into the kingdom's
Sub-Headquarters and adorned it with palace, temple, tanks and other structural
splendours which are to us now of historical and archaeological value and
importance.
However, with the transfer of the Hills Capital from Sutnga to Nartiang sometimes during the 2nd or the 3rd quarters of the 16th century, the importance of Borghat had been replaced by that of Syndai and the former had lost of its political importance, though it continued to be still a flourishing market till the time of partition in 1947. As a pointer to the then glory of the village, the following remains are still being observed and seen.
1. THE RUIN ROYAL PALACE :
This structure situated on the east bank of the River Myntdu just in the south
of the present Borghat village under the shades of big banyan trees, but all
in ruins and debris. The ruins was perhaps due to the longevity of time. But
the important factor was most probably due to the damage caused by the havoc
of the Myntdu river during the rainy season, especially when the Myntdu river
had changed its course towards the east.
2. THE ROYAL TEMPLE :
This temple is a very simple and auster looking Bengal type made of baked
brickbats and situated right in the heart of the present Borghat village.
The temple proper is 3.00 x 8.00 metres enclosed on all sides by a rectangular
brick walls of 100 metres x 70 metres with an entrance provided at the south.
Some portion of the walls are still in tact while the southern portions are
in a dilapidating state. The temple proper is still standing and in good shape
where prayer/ pujas are still being offered by some casual visitors. However
on account of the unavailability of written records the builder and the date
of the temple and other structures are not definitely known. But tradition
states that the temple and the rest of the structures were built during the
reign of U Raja Bor Singh who had embraced Hinduism and had shifted his principal
Headquarters from Sutnga to Jaintiapur sometime during the last quarters of
the 15th century and the first quarters of the 16th century. The temple was
mainly constructed for the purpose of royal worship. However, with the fall
of the Sutnga dynasty in 1855 A.D. the temple, the palace and other structures
were almost abandoned except for few casual visitors and sweet memory of the
lost glory of Borghat.
3. THE UMKOI PARANG :
This is ceremonial tank situated at about 250 metres east of the temple by
the side of a stream on the left side of the Borghat-Khliehriat road. The
tank is dug out on the earth under the command of the Parang Clan for the
purpose of the ceremonial cleaning of the Rajas after the performance of ritual
human sacrifice.
The Concept of 'Kur' as part and parcel of the Khasi culture
By Smti. B.Kharlyngdoh
Right from the time immemorial, the Khasi society resolved around the concept of 'Kur'. It is a concept that is alive and active till the present day society. To make a study on the concept of 'Kur' in Khasi Culture one should try to define the term culture as found in Dictionaries and other related text for understanding of the term.
The Universal Dictionary defines: "The totality of socially transmitted behaviour patterns, arts, beliefs, institution and all other product of human work and thought characteristics of a community or population".1
Graham Wallas an English Sociologist defines : "Culture
as an accumulation of thoughts, values and objects; it is the social heritage
acquired by us from proceeding generation through learning as distinguished
from the biological heritage in passed on to us automatically through genes."
2
But when we talk of Khasi culture we understand that the whole system of Khasi
culture stems from the basic tenets of teh Khasi religion and they are:
"Kamai ia ka hok" which means to perform the duty well, to live justly and work honestly.
"Tipbriew tipblei" which means that man must behave well with his fellow men to enable him to do God's will.
"Tip kur tipkha" to know the 'Kur' and the 'kha' which means to respect the relation from mother's side and father's side respectively.
To understand better the word 'Kur' let us first see what our Khasi writers explain:-
H.Lyngdoh, "The word 'Kur' refers to all group of people both male and female descended from the first mother of the family line which is known as "Lawbei" 3
Kynpham Sing defines" All those who are discended from the some ancestral mother belong to the same 'Kur'. 4
R.T. Rymbai defines, "The Kur have their origin from a common ancestress and their lineal descent is from the mother to daughter." 5
Sib Charan Roy explains, "The Khasis are matrilineal descent. Generations after generations are still if the same 'kur' as long as they descended from the same ancestral mother, they are all related by blood." 6
R.T. Rymbai explains, "The Kur may have one clan name as known from time immemorial or they may have different surnames known after the names of the female descendents of the first ancestress." 7
S. Lamare, in his unpublished dissertation on "the concept of Kur among the Khasi, wrote, ".....among the Khasis the word 'jait' came to be understood as title or surname in the modern generation and even earlier." 8
From the above, we can say that the word 'Kur' among the Khasis is clear that the descend is from the mother and is passed on from the mother to daughter; while jait' is the name given to the 'Kur'. These names are based on various grounds such as :
After the mythical ancestress such as Ngap, Bon, and Nga. (The daughters of Li Dohkha) where Phyrngap, Syiemlieh and Sutnga clan came out.
After the names of plants like Sohhlie, Pathaw and Rymbai etc.
After the name of the place from where they originated like Nongspung, Nongsteng, Massar, etc.
After the name of the office like Lyngdoh, Doloi, Syiem, etc.
- After the name of the non-Khasi female who married a Khasi man. Hence, most of the Kur start with 'Khar' have their ancestral from the Non-Khasi mother like Kharshandi, Kharbani, Kharnarbi, etc.
It was believed that the concept of Kur started from the times of is 'U 7' trep.around the 'Sohpetbneng'. It was said that there were seven kur in the beginning. They were Khynriam, Pnar, Bhoi,War, Maram, Lyngngam and Diko which make the Khasi Race. But now we have around 3363 kur according to Spiton Karakor in his book 'Ki khun ki ksiew u Hynniew Trep Hynniew skum'. It was found that the source of the kur system is from the common ancestress or 'lawbei Tynrai' from where they get a surname. For that reason we call 'kur' system of the Khasis the matrilineal descent but not matriachal system. The kur is never constituted by combining the linenage of both mother and father. It is unilateral. Therefore 'kur' is a whole and 'jait' is a part of a 'kur'. 'Kur' is constituted of many 'jait' in which 'kur' have any child born of a khasi women belongs to her 'kur'. The father might not be a khasi but the children are accepted in the kur of the mother.
It was also found that the Khasis still recognise the concepts such as 'teh kur', 'ting kur' and 'dei kur'. Hence among the Khasis, it is accepted that to be of the same 'kur' blood relationship is not only criteria; it could be due to friendship, or assistance at the time of crisis that they enter into covenant of belonging to the same clan.'Teh kur' and 'ting kur' could be due to so many factors. For instance 'Mawrie' and 'Sohtun' enter into 'teh kur' to avoid war and revenge for the fact committed by a member of the 'Sohtun' clan. against a member of the 'Mawrie' clan. The 'Syiem ' of Shyllong and the Mylliemngap adopted 'ting kur' since it was the Mylliemngaps who reared the ancestress of the Syiem of 'Shillong ka Pahsyntiew'. The'Shadap','Nongkynrih','Passah' and 'Lyngdoh' Nongbri' however claim to be related that is 'dei shi kur' and they cannot enter into marriage because they descended from the same ancestress. Among the Khasis 'kur' is not merely an organisation or institution that is well set up, but it is far more than that'. In order to be a member of the kur one has to born in the 'kur'. However the society also accepts other means of including new member who are not born but outsider by means of 'ting kur' and 'teh kur'. Before this comes into play the member has to go through process of 'tang kur'.
The 'kur' in the Khasi society gives a double role to the man . one as the 'kni' with in the 'Kur' he has to look after the welfare of the 'Kur', and the other as the father of the family he has the responsibility for the good of his children. The role of 'U kni kur' is much more of status rather than financial power. His presence is a mark that the 'kur' still have a person of knowledge and wisdom. It was also found that the Kur still follow the Khasi tradition. He is mainly a consultor, a counsellor and a person who is to be respected and who will speak on behalf of his brothers and sisters, niece and nephew in certain important occassions. Therefore, 'U Kni Kur' is a status symbol in the Khasi society.
Regarding marriage within the 'kur' till today the Khasi treat as a grievous crime a Khasi can commit and such person is ostracised from the kur and the society at large.
Till now we can see that the 'kur' plays an important role in the matter of birth and naming ceremony. Though it is a small ceremony, it is very important for they will introduce the 'kur' and 'kha' of the baby. And whether it be a boy or a girl they welcome it as a member of the 'kur'.
In the matter of death we find that the 'kur' still claims its own 'kur' when one member dies,all the 'kur' specially those who are near and dear ones share the sad occassion on the death of the particular 'kur'.
The 'Kur' has helped the Khasi to be united and organised .
Every man, women and child is a member of one 'kur' or the other and no one
is without a 'kur' . Therefore, the 'kur' is the pillar of the Khasi's family
which needs of be always alive and active. It is very important to note down
that from the 'Durbar' Kur' it gives birth to the Khasi traditional Democracy.
These are the facts thet the concept of 'kur' is a part and parcel of the Khasi
culture which needs to be alive and active even in the present society also.
References
1. Reader's Digest Association Ltd., Universal Dictionary.
2. C.N. Shankar Rao, Sociology. {New Delhi : S. Chand & Company, 1997) pg. 217.
3. H. Lyngdoh, Ka ninm khasi. (Shillong: George M, Lyngdoh, 1970) pg. 132.
4. Hipshon Roy (Ed.) Khasi Heritage (Shillong : Ri Khasi
Press 1979) pg. 94.
5. Ibid pg. 112.
6. Sib Charan Roy Jait Dkhar, Ka Niam Khasi Ka Niam Tip
Blei Tip briew. (Shillong: Ri Khasi Press, 1959), pg. 7.
7. Khasi Heritage pg. 75.
8. S. Lamare, "The Concept of kur Among the Khasis ,(Unpublished
dissertion pg.4. )
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The Title of the Theme 'Sawdong ka lyngwiar dpei'
Meaning -'around the hearth'
By Silbi Passah
The Khasis have a noble creative power , he ia an imaginative and a natural philosopher. His theories about the creation of the earth, sun and the moon,etc are very interesting.
The concept of 'Sawdong ka langwiar dpei'(around the hearth) is actually the place where the family members both young and old gather together after a day's hard work. They sit together circulating or around the fire which is right in the center of the room. You would be wondering what is so important sitting beside the fire. But in olden times , when Khasis knew nothing about education, in the modern sense. The Radio, T.V.,Cable and so on were unknown to them. Yet the Khasis have their own way of preserving the heritage of the past and educating their nieces,nephews,sons and daughters,learn our culture and tradition,customs and manners of which we are proud of. Even the religious belief and concept are forged and passed on from father to son and down to great grandson was done 'around the fire hearth' The legendary folk tales and fictitious stories are invented to instill upon the young mind positive and constructive thinking. We can say that from folktales to fairy tales and fables have their origin and evolution started around the fire side.
To entertain themselves , stories are told in the form of songs accompanied with vocal music and one of the most popular instrument is 'Ka duitara' Duitara is different from bow-shaped veena, sawaramandal, Santoor;Eklara;Tambura;Jantra;Rudra veena;Saraswati veena;Vichitra veena;Sarod;Banam and Sarangi. The Duitara is the typical musical instrument of the Khasis and jaintias. Purely home made the Duitara is made of strong hardwood. Hallow in the belly of the main body is covered with dried skin of animals. Its neck which is longer than the main body has its end four hole in which wooden pegs are fixed to hold the string in tune.
Another musical instrument of the Khasis is "Ka Besli". it is also a home made bamboo flute . Generally a happy working cowboy while tending his herd or while resting gaily on the top of the hill would play his favourite flute pouring out beautiful tunes in harmony blending with the nature surrounds him.
Another instrument is 'Ka Mieng' . This instrument is made of bamboo and it is used commonly both by men and women. With this instrument they entertain themselves during their journey in dense forest to overcome the solidarity of the nature.
Can we say that the Khasis are not the lover of the songs and music who are still using their home made instruments?.
Khasi Female Dress:
Ka Jainpien shad : A single piece lungi called "Jainpien"
worn from the waist downwards upto the ankle.
Ka Sopti-Kit : A long sleeve velvet blouse with na (Sopti Muhmor)
Rows of button on the front and lace decoration around the neck , colours
of the blouse are usually red ,black, green, purple and violet.
Ka Sem Poh : Ka Jainsem of any colour worn over the above the
right shoulders with pins or decorations.
Ka Dhara : A yellow or saffron coloured silk cloth especially designed for the khasi , worn on the right side and covering the "Sempoh" and fastened over the left shoulders with pins or decorations.
Khasi Female Ornaments:
Pansngiat : A silver crown adorning the head , resting on the knot of hair purposely fastened to level the head of the dancer for placing the crown. At this portion of the knot of hair, a projection of silver "Lasubon", (which is a silver ornament attached with a bunch of flowers), is tied to their hair knot at the back. From the hair knot a projection of the female hair is also provided on the right side back to accompany the lone silver chair ornament from which hangs three silver bells, on the back called "Saikhyllong" falling upto the waist of the female dancer.
Siar Kynthei : The female is also adorned on both side her ears with eardrops of solid gold with enhanced support in chain of gold enfolding each earlobe.
U Shanryndang : This ornaments adorns the female neck of knopad
either by gold called u "Shanryndang" are gold and red coral
necklace "U Kpieng paila".
Ki kpieng : The female dancer is decked with three rows of gold
and red coral necklaces on her front. These three rows of necklaces are
of different sizes and arranged in a descending order-big,bigger and biggest.
Kynjri tabah Kynthei: A bunch of silver chains is also placed
along with the necklaces in the apparel of a female dancer.
Taj Rupa: These are silver armlets adoring both arms of the female
dancer.
Mahu Rupa : These are silver fore-armlets adoring both fore-arms
of the female dancer.
Khadu syngkha : These are wristlets of pure gold which find a
place on both wrists of the female dancers.
Kynjri ksiar : These are gold chains which adorn the female dancer.
Khasi male Dress:
Jainspong khor : A head-dress or turban usually colour with maroon
prints either of geometric design or animal motifs made of a valueable
silk especially designed for the Khasis.
Thuia : From the back of the head stands black and white feathers fastened from the back of the head and through the "Jainspong".
Jainboh : A red coloured dhoti from waist downwards made of silk
and bodered with golden threads.
Ka Jymphong shad : A black sleeveless jacket type embroidered
with motif of leaves, flowers and animals in various colours and decorated
with golden or silver tassels at the bottom end of the jacket.
Jainteh Syngkai : A waistband which is knotted on the left side of the waist leaving a projection downwards upto the left leg below the knee.
Khasi male Ornaments:
Siar Shynrang : On both ears, earring of solid gold made of various designs.
Shanryndang : Around his neck, a gold neckrest or two rows of gold and red coral necklace is fastened.
Kynjri tabah Shynrang : These are a bunch of silver chains purposely
made for the male which entwines his body front and back.
Kynjri Syngkai : A bunch of silver chains adorning the waist of
the male dancers.
Ka Ryngkap : A silver quiver beautifully designed and consisting
of three silver arrows worn on the left side back of the male dancer and
adorned with colourful feathers and at the end of which hangs a small
bunch of horses tail.
U Kpieng : A single row of bis gold and red coral necklace.
U Symphiah : A white hair whisp of 'Yak's tail.
Ka Waitlam : A long iron sword.
Dresses
and Ornaments of the Jaintias.
Jaintias Female Dresses:
Jainpien/Ryndia Kyrwang : Striped cloth either black and white or black and maroon.
Jainsem Muga : Muga cloth
Sopti Mukmor : Velvet Blouse mostly red.
Dhara : Silk dhara worn on both sides of shoulders and on the waist.
Thoh Saru : Eri Clth wrapper
Dhara Muga : Muga cloth
Jaintias Female Ornaments:
Kanapad : Golden Necklace
Kpieng Ksiar/Kynjiri Ksiar : Golden Chain & Locket.
Khadu Ksiar : Golden Bangles.
Pansnggiat : Crown worn by the leader of the group.
Khasu Ksiar : Golden Bracelet
Tiaw Lasubon/Thuia : Flowers worn on the head.
Jaintia Male Dresses:
Jainboh : Maroon dhoti
Tupia Jain : Black Cap
Soptipohlieh : White Shirt
Putoi : Waist Coat
Ryndia : Shawl worn by men on occasions.
Jainspenglieh : White Turban made of eri cloth
Canvas Sawbthuh : Reddish Brown Canvas
Jaintia Male Ornaments:
Kynjri Rupa : Silver
Kpieng Paila : Red and Gold beads necklace
Dresses and Ornaments of the Garo Dancers.
Garo Female Dresses:
Ganna Dakmanda : One piece of wrapper worn on the waist upto the ankles.
Ganna Kore Kinga : Petticoat
Chinani : Special Shawl with beads designs
Chroko ganna : Wrapper with shells and beads.
Dodok : One piece cloth worn across one arm.
Re'king : Small petticoat
Kotip : Coloured Turban
Garo Female Ornaments:
Ripok Do'katchi : Necklace with stone gems and emerald.
Rikgitok : Necklace of coral beads of 10 lines
Rikgitchak : Necklace with various gems, ivory and metal bells.
Ollongga/Nakongsi : Brass Earrings in bunches
Kabong / Kade : Head gear made of shells.
Kade bibol : Special designed head gear.
Asingsok/Riksil : Necklace with metal bells.
Bato Rengki : Hair Band
Rikmatchu : Necklace Coral beads
Seng'ki : Shell beads worn over the waist
Siliting : Silver Chain with designs
Konal : Tight Silver necklace
Sis /Narikki : Earrings made of lead
Naderong : Designed beads
Nabal : Decorated beads worn on the ears.
Sangong/Jaksan : Bangles of metal or Brass.
Pilne : Decorated head gear with cock's plume
Ki'chong : Special Bamboo comb
Garo Male Dresses:
Gantap : Wrapper worn above knee
Genji Gisim : Black T Shirt
Kotip Nokma : Silk Maroon turban of head man
Kotip : Turban
Kadesil : Head gear
Pandra : Cloth worn criss cross over the body
Mending : Hair String for tying the hair.
Do'me : Cock's Plume
Kot :Coat.
Sa.mil : Accompaniment of turban of Head man.
Garo Male Ornaments:
Tapa/Jaksil/Rikgitok : Brass armlets
Rikmatchu : Coral beads necklace
Konal : Tight silver necklace
Naderong : Designed earring of beads
Sisa/Narikki : Bunch of earrings made of lead
Mil'am : Sword double edged.
Danil/Seppi : Shield made of rhino's skin.
Rang : Brass Gongs.
Sel'u : Spear.
Musical Instruments used during the festivals and ceremonies
Khasi and Jaintia:
Beslie : Bamboo Flute.
Tangmuri : Clarinet
Duitara : Musical instrument like guitar with muga strings
Ksing/Nakra : Drums used in different occasions.
Dymphong : Flat bamboo instrument
Maryngod :
Marngthing :
Padiah : Small drum to be beaten with fine sticks.
Singthap : Side drum beaten with stick one side and hand on the
other side
Tanglod : Bamboo Flute
Ksing Kynthei : Drum used for female dancers only . One side is
applied wax.
Shaw Shaw : Cymbals
Sharati : Flute used during death ceremony.
Sitar : Sitar
Garo:
Dama : Long drum
Natik : Small drum accompaniment
Nagra : Big round drum used by sticks.
Kram : Head man's drum.
Dimchang/Kimjim : Flat bamboo instrument
Bangsi/Ile'p/Okra : Kinds of flutes.
Ollongma/Imbinggi : Kinds of Flutes.
Dakok : Longest Flute.
Adil/Singga : Buffaloe Horn.
Chengchap : Cymbals
Chigring : Bamboo stump with strings
Serenda : Violin type of instrument
Gongmina : Jew's harp